Personal Project
Personal Project
Personal Project
2024
2024
2024
LOVES€XDHOKA is a motion poster created for LoveSexDhoka by Chaar Diwari, built through an entirely physical, frame-by-frame process. Each frame of the animation was printed individually and pasted on walls across Bengaluru, then photographed and assembled into a stop-motion sequence.
The poster draws inspiration from the hand-painted street film posters traditionally made by local artisans in the city—embracing vibrant colour, exaggerated forms, and expressive, over-the-top typography. Working in public space became part of the process, allowing the poster to exist temporarily on the street before being reassembled as motion.
By translating the song’s vintage, 80s street sensibility into both form and method, the project treats motion not as something rendered digitally, but as something printed, pasted, weathered, and constructed from the city itself.
LOVES€XDHOKA is a motion poster created for LoveSexDhoka by Chaar Diwari, built through an entirely physical, frame-by-frame process. Each frame of the animation was printed individually and pasted on walls across Bengaluru, then photographed and assembled into a stop-motion sequence.
The poster draws inspiration from the hand-painted street film posters traditionally made by local artisans in the city—embracing vibrant colour, exaggerated forms, and expressive, over-the-top typography. Working in public space became part of the process, allowing the poster to exist temporarily on the street before being reassembled as motion.
By translating the song’s vintage, 80s street sensibility into both form and method, the project treats motion not as something rendered digitally, but as something printed, pasted, weathered, and constructed from the city itself.
LOVES€XDHOKA is a motion poster created for LoveSexDhoka by Chaar Diwari, built through an entirely physical, frame-by-frame process. Each frame of the animation was printed individually and pasted on walls across Bengaluru, then photographed and assembled into a stop-motion sequence.
The poster draws inspiration from the hand-painted street film posters traditionally made by local artisans in the city—embracing vibrant colour, exaggerated forms, and expressive, over-the-top typography. Working in public space became part of the process, allowing the poster to exist temporarily on the street before being reassembled as motion.
By translating the song’s vintage, 80s street sensibility into both form and method, the project treats motion not as something rendered digitally, but as something printed, pasted, weathered, and constructed from the city itself.



















