


Done at Maryland Institute College of Art
Done at Maryland Institute College of Art
Done at Maryland Institute College of Art
Mentored by Jeff Glendenning
Mentored by Jeff Glendenning
Mentored by Jeff Glendenning
Year 2025
Year 2025
Year 2025
Dailies is a motion-led exploration built around consistency, repetition, and constraint. The brief was to create one piece every day as part of a single system, defined by a self-imposed set of rules.
I used the project as a way to learn Cavalry, focusing on motion as the primary design tool. Each piece follows the same constraints: a three-colour palette, a black 1080×1080 canvas, a five-second looping animation, and a single-word film title as content. The challenge was to capture the essence of each film purely through the motion and behaviour of the word.
By limiting form and format, the project shifts emphasis to timing, rhythm, and movement, using animation as a narrative device rather than decoration.
Dailies is a motion-led exploration built around consistency, repetition, and constraint. The brief was to create one piece every day as part of a single system, defined by a self-imposed set of rules.
I used the project as a way to learn Cavalry, focusing on motion as the primary design tool. Each piece follows the same constraints: a three-colour palette, a black 1080×1080 canvas, a five-second looping animation, and a single-word film title as content. The challenge was to capture the essence of each film purely through the motion and behaviour of the word.
By limiting form and format, the project shifts emphasis to timing, rhythm, and movement, using animation as a narrative device rather than decoration.
Dailies is a motion-led exploration built around consistency, repetition, and constraint. The brief was to create one piece every day as part of a single system, defined by a self-imposed set of rules.
I used the project as a way to learn Cavalry, focusing on motion as the primary design tool. Each piece follows the same constraints: a three-colour palette, a black 1080×1080 canvas, a five-second looping animation, and a single-word film title as content. The challenge was to capture the essence of each film purely through the motion and behaviour of the word.
By limiting form and format, the project shifts emphasis to timing, rhythm, and movement, using animation as a narrative device rather than decoration.

