Home Posters

Home Posters

Home Posters

Done at Maryland Institute College of Art

Done at Maryland Institute College of Art

Done at Maryland Institute College of Art

Mentored by Jeff Glendenning

Mentored by Jeff Glendenning

Mentored by Jeff Glendenning

Year 2025

Year 2025

Year 2025

Home is a collaborative poster project that explores how personal memory and emotion can be translated through objects. Working in pairs, we selected objects that represented home and designed two posters—one for our own object and one responding to our partner’s.

I chose the Auto Rickshaw, using vibrant colour, repetition, and a short poem to distill its chaotic, rhythmic, and nostalgic character. The design process focused on exaggeration and pattern to reflect movement and sensory overload.

For my partner’s object, a Table, I approached the poster through composition and cropping—framing the space around the table legs rather than the object itself. By shifting focus to what happens beneath and around the form, the poster suggests everyday moments through a more cinematic lens.

Home is a collaborative poster project that explores how personal memory and emotion can be translated through objects. Working in pairs, we selected objects that represented home and designed two posters—one for our own object and one responding to our partner’s.

I chose the Auto Rickshaw, using vibrant colour, repetition, and a short poem to distill its chaotic, rhythmic, and nostalgic character. The design process focused on exaggeration and pattern to reflect movement and sensory overload.

For my partner’s object, a Table, I approached the poster through composition and cropping—framing the space around the table legs rather than the object itself. By shifting focus to what happens beneath and around the form, the poster suggests everyday moments through a more cinematic lens.

Home is a collaborative poster project that explores how personal memory and emotion can be translated through objects. Working in pairs, we selected objects that represented home and designed two posters—one for our own object and one responding to our partner’s.

I chose the Auto Rickshaw, using vibrant colour, repetition, and a short poem to distill its chaotic, rhythmic, and nostalgic character. The design process focused on exaggeration and pattern to reflect movement and sensory overload.

For my partner’s object, a Table, I approached the poster through composition and cropping—framing the space around the table legs rather than the object itself. By shifting focus to what happens beneath and around the form, the poster suggests everyday moments through a more cinematic lens.

Drafts